26/08/03 Sonic Tambayan/Listening and Sounding Tambay 

It may have been noticeable that I was absent from social media for much of last week. This was because I was hanging out with a group of sound art academics and researchers from London, The Philippines, and Hong Kong as part of a “Listening and Sound Tambay.”

Hanging out may sound like a frivolous activity, but this particular hanging out was in reality an inspiring week for me. To clarify this use of the term, Tambay is a Filipino term meaning “to hang out, to socialise, to stand by, to loiter” which Dr Dayang Yraola at the University of the Philippines—the initiator of last week’s tambay—describes as “an ambiguous form of social gathering often in parallel to dominant structures.” Dr Yraola’s long-term research has mainly addressed the role sound and sound art-related practices play in Filipino life and culture, and this Listening and Sound Tambay was set up by her to pay attention to the relations between sound and tambay, as well as to share knowledge and experiences, and work on cross-cultural practices for sound art research and archiving.

Continue reading

26/05/19 where to hear

Some types of space for (experimental) music in London

I’ve been in staying London for a few months and there have been almost too many chances to go to sound and performances events here – I just checked my photo library and counted that already this year I’ve been to around 62 events (and that’s counting multi-day events as a single event, like artist Xu Shaoyang’s under45db micro-fest that took place in January)! It’s been pretty intense.

Given my ongoing research into the spaces for experimental music in the Chinese mainland and Hong Kong, I thought now would be a good moment to expand that research geographically, and review the kinds of spaces I’ve been going to in London, as well as think about similarities and differences between spaces used by such artists in the two areas.

Continue reading

26/05/07 Some notes about nnscya and Wong Winsome Dumalagan (before their performance in London)

We’re really fortunate to have artists nnscya (Annisa Cheung) and Wong Winsome Dumalagan visiting London from Hong Kong this May. nnscya’s and Winsome’s practices are representative of the practical and imaginary responses to their lives in Hong Kong and the wider region. In terms of the media they work with—in Winsome’s case film and installation, and in nnscya’s, sound and music—I’ve always been struck by how meaningful and engaging the directions they take have been, their aesthetics reflecting a reality that allows for dream-like observations and a magical reinterpretation of mundaneness; in terms of the creative scenes of Hong Kong, they have feet in both the official and the underground, which is perhaps a characteristic trait of relatively small communities.

Continue reading

EVENT: Mouthpiece & Trail Shoes: nnscya & Wong Winsome Dumalagan

While I’m in the UK, I’m taking the opportunity to plan some events for visiting artists – those I have worked with in Hong Kong either directly or who hold a relation to the spaces for experimental performance there that I have been documenting. In early May Hong Kong artists Annisa Cheung (aka nnscya) and Wong Winsome Dumalagan will be in town for a few days, and we have arranged the event ‘Mouthpiece & Trail Shoes’ on the 7th of May at the artist-run venue Eat the Sunshine . Down the Sun in South London. The evening will include a solo performance by Annisa, a screening by Winsome, a collaborative performance by them both, and finally I will join them for a conversation about their work. Hopefully we will meet there!

For more details and tickets: https://gel.now/events/286