26/05/19 where to hear

Some types of space for (experimental) music in London

I’ve been in staying London for a few months and there have been almost too many chances to go to sound and performances events here – I just checked my photo library and counted that already this year I’ve been to around 62 events (and that’s counting multi-day events as a single event, like artist Xu Shaoyang’s under45db micro-fest that took place in January)! It’s been pretty intense.

Given my ongoing research into the spaces for experimental music in the Chinese mainland and Hong Kong, I thought now would be a good moment to expand that research geographically, and review the kinds of spaces I’ve been going to in London, as well as think about similarities and differences between spaces used by such artists in the two areas.

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Silence or Circumspection in Sound Practices in China

Author: Edward Sanderson

Abstract

In this text I will be arguing for the significance of silence or circumspection as a form of active disengagement. In particular I will be looking at this as an artistic tactic, focusing on sound art or experimental music practices that display such tactics as a matter of choice or necessity. These forms of practice will be related to historically situated practices that have taken various approaches to avoid confrontation while nevertheless asserting their presence in relation to specific social issues. I will be proposing that such practices institute new relationships between an artist and their audience that may open up the potential for new social and political effects.

Keywords

Sound art, experimental music, pragmatism, withdrawal.

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