26/08/03 Sonic Tambayan/Listening and Sounding Tambay 

It may have been noticeable that I was absent from social media for much of last week. This was because I was hanging out with a group of sound art academics and researchers from London, The Philippines, and Hong Kong as part of a “Listening and Sound Tambay.”

Hanging out may sound like a frivolous activity, but this particular hanging out was in reality an inspiring week for me. To clarify this use of the term, Tambay is a Filipino term meaning “to hang out, to socialise, to stand by, to loiter” which Dr Dayang Yraola at the University of the Philippines—the initiator of last week’s tambay—describes as “an ambiguous form of social gathering often in parallel to dominant structures.” Dr Yraola’s long-term research has mainly addressed the role sound and sound art-related practices play in Filipino life and culture, and this Listening and Sound Tambay was set up by her to pay attention to the relations between sound and tambay, as well as to share knowledge and experiences, and work on cross-cultural practices for sound art research and archiving.

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24-03-08 Archive Display #1 – International Women’s Day 2024

This is the first in what will be an ongoing series of posts recording my efforts to organise and present my research archive of publications related to experimental music and sound art from Mainland China and Hong Kong. Today’s post is a catalogue of the first display which was inspired by International Women’s Day in March 2024, and includes a selection of female artists.

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archive of the Disrupting Narratives symposium at tate Modern

I’ve just seen (via neural.it) that the recording of the excellent Disrupting Narratives symposium—which I attended last month—has been added to the tate’s website.

On a side note, and this may be old news, but tate are using a new video player (produced by BT, using Flash apparently) which seems to be of better quality and easier to use than the old one.

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My friend Yumiko and I at the end of the symposium.