Displaying a long-term commitment to his practice, most visible for the last six years in the ongoing Keywords Project, Guangzhou-based Xu Tan chooses to address both the detail as well as the ‘bigger picture’ of cultural and social change through his works. His current solo show in Guangzhou’s Vitamin Creative Space, titled Questions, Soil and ‘Socio-Botanic,’ shifts the subject matter from language—as demonstrated by Keywords—to issues of the conceptual and legal construction of the social landscape.
Curating needs a bit of a shake down in China. The term has become a cliché to describe pretty much any situation in which one can point to a modicum of organisation, and is often characterised as a perfunctory look at the issues raised. Seminars that take a long hard look at the subject, and successfully integrate local and international resources and audiences, are also pretty rare in this context. So, despite the Summer heat in Guangzhou, we couldn’t refuse the invitation of the Guangdong Times Museum to attend their “No Ground Underneath: Curating on the Nexus of Changes” which brought together practitioners from near and far in an extended forum over three days of intensive presentations and discussions.
Nikita Yingqian Cai, curator of the Times Museum, in collaboration with the seemingly ubiquitous independent curator and critic Carol Yinghua Lu, co-curated this event as a prelude to a new series of books on the general subject of curation, to be published by the Museum beginning later this year.
“Edward Sanderson speaks with Zhang Wei and Hu Fang about discovering ways of working within a private gallery that fosters an experience of art that is more than mere consumerism.”
An expanded appreciation of the gallery environment and its players, with a particular emphasis on the nature and expression of the physical and perceptual spaces that make up that environment, plays a significant role in the thinking and activities of Vitamin, a Guangzhou- and Beijing-based art organization. In its activities, Vitamin recognizes and utilizes these spaces through interaction with implied psychological and spiritual attributes that create an invisible energy, and that act as productive elements in the relationships among artist, artwork, and audience.
Zhang Wei and artistic director Hu Fang established Vitamin and opened Vitamin Creative Space, in 2002, in the southern Chinese city of Guangzhou. Over the ten years of its existence, Vitamin has become relatively well established in the Chinese art scene as well as internationally by its presence at art fairs and through its projects and publications carried out with practitioners from both inside and outside its home territory. Its broad range of activities, exhibitions, events, and publications, and the often idiosyncratic nature of many of them, allow Vitamin to retain a feeling of informality, experimentation, and playfulness within a formalized gallery system.