The 7th Shenzhen Sculpture Biennale: “Accidental Message: Art is Not a System, Not a World” (curated by Liu Ding, Carol Yinghua Lu, Su Wei)
OCT Contemporary Art Terminal, Enping Road, Overseas Chinese Town, Nanshan District, Shenzhen, China
12 May – 31 August, 2012
Following their Little Movements exhibition in the same venue last year (which I reviewed on ArtSlant.com at the time), the curatorial group of Liu Ding, Carol Yinghua Lu and Su Wei return to Shenzhen’s OCT Contemporary Art Terminal to undertake the broader task of a biennale. Despite retaining the moniker of “Sculpture,” this seventh iteration of the Shenzhen Sculpture Biennale has less to do with sculpture as a distinct discipline, than with what amounts to a renewed opportunity for the curators to expand on the theories and practices they had expounded in Little Movements.
The choice of the rather contrary title Accidental Message: Art is Not a System, Not a World positions this Biennale as a clear statement against large-scale trends or movements. The idea that art imparts, or is itself, an “accidental message” is a troubling but simultaneously interesting proposition given the current state of art. It is troubling in that (aside from the obvious questioning of historical impetus), having thus placed art-making as an “accidental” communication, the curatorial process itself seems to made problematic. This position appears antagonistic to the assumption that a show is curatorially held together with a clear theme or relation.
