This is the first in what will be an ongoing series of posts recording my efforts to organise and present my research archive of publications related to experimental music and sound art from Mainland China and Hong Kong. Today’s post is a catalogue of the first display which was inspired by International Women’s Day in March 2024, and includes a selection of female artists.
Continue readingCategory: China
interview with Zhou Pei aka Ronez
Back in 2003, in an ecstatic review of the Sounding Beijing festival for The Wire magazine, Steve Barker wrote about a “stone-killer electro-nerd star” named Zhou Pei , and in 2017 Yan Jun’s history of experimental music in China recorded that Zhou’s music was “amateur electronica/avant-pop” . Zhou has therefore been active since the very early days of experimental electronic music in China, and continues to perform and release material under a series of artist names, including Ronez, Karassage, and OddChordSpace, reflecting the diverse styles of sound he is producing. Zhou, however, still considers himself an “outsider” artist, living in Guilin city, in South China’s Guangxi Province, away from the major conurbations where experimental music has usually been found in China, so I got in touch with him by email to ask about his music and life in experimental music.
Continue readingSilence or Circumspection in Sound Practices in China
Author: Edward Sanderson
Abstract
In this text I will be arguing for the significance of silence or circumspection as a form of active disengagement. In particular I will be looking at this as an artistic tactic, focusing on sound art or experimental music practices that display such tactics as a matter of choice or necessity. These forms of practice will be related to historically situated practices that have taken various approaches to avoid confrontation while nevertheless asserting their presence in relation to specific social issues. I will be proposing that such practices institute new relationships between an artist and their audience that may open up the potential for new social and political effects.
Keywords
Sound art, experimental music, pragmatism, withdrawal.
Continue readingInterview with Sun Dawei
Today I’m really pleased to follow up my interview with Wang Menghan that came out a few days ago, with a short interview with Sun Dawei, one of the most influential experimental electronic musicians out of China. Sun Dawei started producing music in his hometown of Beijing in the late 1990s, emerging from a punk background to become a full-fledged electronic musician by the early 2000s. At the same time he founded the record label Shanshui, which continues to be a great resource for experimental electronic music. Early on he became internationally known for his chiptune/8bit releases and performances under the artist name SULUMI, but his music has always been diverse, moving into the fields of electronica, techno, or ambient, reflected by the particular artist name he used. In 2010 he moved to Osaka, Japan where he has continued producing music. He was recently back in Beijing to take part in a residency at the M WOODS Art Museum, with a number of other contemporary artists from China, responding to the Museum’s current show of Buddhist cave paintings from the Xinjiang region of China. The following interview was done by email, and I want to thank Dawei for being so accessible. In the near future I hope to be able to present a more detailed interview with him, so keep checking back!
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