White Cube, Mason’s Yard, London
Liu Wei rose to prominence in China in the early 2000s with a diverse practice encompassing painting, photography and sculpture, often presented with a touch of humour. His solo show at White Cube focused on recent sculpture and installation pieces that demonstrated the artists professed move away from figuration but which, in the process, seemed to lose some of the agility that characterised the artist’s earlier practice.
Liu presented works from three distinct series that were organised over the two floors of the gallery. Dominating the basement gallery floor stood six geometric sculptures (1, 2, 3, 4, 5, 6, from the ‘Density’ series, 2013) – including a cube, a ball, and other less specific shapes, the larger pieces looming over the visitor. These works used layers of cut books to form their off-white surfaces; the Chinese characters printed on the books’ pages still visible along the cut edges. This paper lent a material softness to the sculptures that contrast with the hard-edged, abstract shapes they formed.