Self-awareness is a key feature of Liu Ding’s work — in many cases incessantly so. When you look at Liu Ding’s work, it is as if it is winking back at you, slyly implicating you in its investigations.
Liu Ding’s work questions the formation of value — with inevitable implications for the systems of art that posit a myth of value as a central conceit in their working processes. A generalized idea of “value” and the way that value comes to be (particularly in the rarefied atmosphere of the art world) is the sine qua non of arbitrage.
At the same time, Liu Ding’s works are full of questions. His works may literally ask a question, but more usually they put forth statements that leave us with our own questions as to the nature, source and purpose of those statements. These statements are literally applied or inscribed onto the objects themselves, or exist through the arrangements and settings presented for our contemplation.1