Nothing earth-shattering, just some notes that won’t make it into a review.
For me, the classic, single-viewpoint photograph is a seduction. It threatens to convince us that it is imparting a “truth” about the world by its seemingly straightforward presentation of a view. Art’s use (and more importantly, abuse) of the medium and its formats has been instrumental in disabusing us of the static image’s privileged status as a purveyor of truth. So these days no one should be under any illusion about these fixed perspective, mono-directional images—neither for their depiction of reality nor for the value of their meanings.
You must log in to post a comment.