Beijing Report

Following up on the previous post, I think I should justify in some way my comments about the work I saw while in Beijing. By “justify” I mean present some kind of record and evidence for my reactions. To recap, some of the architecture, photography and sculpture appealed to me, but by and large much of this was by foreign practitioners.

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Where’s theory?

. . . the thing that, by means of the fable, is demonstrated as the exotic charm of another system of thought, is the limitation of our own, the stark impossibility of thinking that. (Foucault, 1989, p. xvi)

Now I’ve visited China, I’ve got a better impression of the way things are with art there.

I saw very few works by Chinese artists that particularly interested me. I saw a lot of interesting architecture, some good sculpture, some nice photography and media art, and a lot of poor paintings. However, many of the things I liked were usually not by Chinese artists.

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