Reminded me of a student show with it’s break down of defined junctures between some of the works, at least in the rooms holding the more object/amalgam-based pieces (not for the video works which by their nature require a separation and environmental exclusion zone). Perhaps less a break down as a pronounced ambiguity over the change from one work to the next. Not so much concern with the unique piece by the individual artist, moving towards an appreciation of the works together, as a whole, an installation of installations.

What interested me more was accompanying documentation, the catalogue and the anthology of related texts.

SEEN—Uncertain States of America—Serpentine Gallery, London by escdotdot is licensed under a Creative Commons Attribution 4.0 International