Next Stage – part 2

It’s been a busy few weeks:-

  1. As result of actions stemming from the feelings that led to this previous post, on Friday 19 May I received an unconditional offer of a place on the PGDip in Contemporary Art History at Goldsmith’s College.
  2. On Tuesday 23 May it was my 36th Birthday.
  3. On Thursday 25 May I accepted the place on the course.
  4. On Friday 26 May I handed in my notice at work.

The near future is looking like this:-

  1. Friday 1 September will be my last day at work.
  2. In September I will move back to London, possibly to the Brockley or Nunhead areas.
  3. On Monday 25 September term will begin at college.

Onto the next stage!

Sculpture on a house in Hemingford Abbots, Cambridgeshire

DSC01913.JPG

DSC01913.JPG Originally uploaded by escdotdot.

This is a shot of a house that I passed yesterday while out walking. My eye was drawn to the metal reliefs attached to the wall. Things like these reliefs are what I look forward to most when I’m out walking – random pieces of artistic expression out in the wild.

Stylistically the house looks like it was built in the ’60s, and on the side wall of the wing have been applied some metal sculptures. As far as I can tell they’re the same piece repeated and rotated to create this arrangement. On each piece the silver metal is sculpted into layers which are then lifted and folded to form the relief. The piece or pieces remind me of the abstract artworks featuring repetiton that were being produced in the ’60s by Erwin Hauer or Norman Carlberg.

It looks like there’s some question over their status (or value) as ‘sculptures’ as the present owner of the house has hung a bird-feeder off the part second from the right on the bottom row (somewhat obscured by the tree in this picture). I don’t really care if they’re ‘sculptures’ or not, and – if I was being pedantic – I would also question their quality either as sculptures or as ornaments, but what I would say is they’re a great addition to the house and add a point of interest to the scene.