“…the crutch of spectacle…”

An interesting review by Todd Gibson of Rachel Whiteread’s Embankment:

Spectacle, But Not Much Else, in the Turbine Hall

To be followed-up: “…The piece…partakes of what Michael Fried called the theatrical nature of minimalism.”

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“…the crutch of spectacle…” by escdotdot is licensed under a Creative Commons Attribution 4.0 International
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About escdotdot

Researching contemporary art, sound, and experimental music in China. Living in Hong Kong. With a PhD from Hong Kong Baptist University, Academy of Visual Arts.

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