Boers-Li Gallery, 1-706 Hou Jie, 798 Art District, Jiuxianqiao Lu, 100015 Beijing, China
19 May – 19 June, 2011
A few weeks ago I reviewed Breaking Away, Boers-Li Gallery’s abstraction group show here on ArtSlant. I then travelled a few blocks West within 798 Art District to Space Station to cover XYZ, the solo show by one the participants, Xie Molin. And this time I’m returning to Boers-Li, where another participant, Zhan Rui, has his own solo show in their smaller galleries upstairs. Suffice to say, in Beijing at least, abstraction appears to be popular right now.
Space Station, 4 Jiuxianqiao Rd, 798 Art District, Chaoyang District, 100015 Beijing
23 April – 20 June, 2011
A few weeks ago on this site I reviewed Breaking Away, the abstraction group show at Boers-Li Gallery, and got a bit carried away addressing some of the institutional structures in place. This show, and some other shows that are forthcoming, also seemed to hint at a resurgence of abstraction in Beijing this year. My over enthusiasm for the critique meant that I only superficially addressed the artists in the show. One of the artists that I omitted to mention was Xie Molin, whose works in the Boers-Li show had kicked off some thoughts about abstraction itself. Luckily I’ve had a chance to re-acquaint myself with his luscious machine-made paintings in his concurrent solo show at Space Station.
Breaking Away – an Abstract Art Exhibition: Chen Yufan, Ding Yi, Gong Jian, Guan Fengdong, Hou Yong, Huang Rui, Jiang Fang, Jiang Zhi, Liang Quan, Liu Wei, Xie Molin, Xu Hongmin, Yan Lei, Yang Liming, Zhang Enli, Zhan Rui, Zhang Wei, Zhong Shan, Zhao Gang
Boers-Li Gallery, I-706 Hou Jie, 798 Art District, No.2 Hou Yuan, Jiuxianqiao Lu, Beijing, China
9 April – 8 May, 2011
The politics of abstraction tread a very fine line. The style can be favored as a rejection of the illusions of representation in favor of a more direct engagement with perception, material and form; or, it can be perceived to be a rescinding of responsibility from making clearly defined statements. Breaking Away, Boers-Li Gallery’s second major group show since decamping to 798, presents approaches to abstraction by Chinese artists, suggesting its continued relevance for them. While presenting a fine selection of works picking up and over the traditions of abstraction, as an unintended consequence Breaking Away also makes problematic the relationship between historical and contemporary work within the gallery context in the current art environment in Beijing.