GIG: Pangbianr Improv Meeting at School Bar 2013/04/17

VAVABOND playing as part of the Pangbianr Improv Meeting at School Bar

VAVABOND playing as part of the Pangbianr Improv Meeting at School Bar

Some new samples taken from last night’s Pangbianr Improv Meeting, a regular Wednesday night event organised by Josh Feola and Lulu Chow from Pangbianr. I only stayed for the first two soloists, Li Jianhong and VAVABOND, both of whom I have written about on this blog before, usually playing together, and whose sounds I really like. Last night it was very evident that Li Jianhong’s playing is very expertly done, a lot of control in the sounds he is manipulating out of his guitar and effects pedals. Despite being VERY LOUD, Li’s sounds carried you along in their tow, making for a series of sequences which had some feeling of progression. VAVABOND’s set, on the other hand, was far more difficult to lose oneself in. Her staccato blasts of sound, endlessly forced you to PAY ATTENTION, with no respite into a consistency which might have allowed you to sit back and relax. Previous events have seen Li and VAVABOND play together (under the names “Vagus Nerve” or “Mind Fibre”), and it’s interesting to see the similarities and disparities in their styles when they are taken separately, as here. For all their differences of technique and instrument, it was possible last night to hear how they share a sonic aesthetic, in their disjunctive ways of arranging their sounds. Good stuff.

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GIG: VAVABOND and Li Jianhong at XP, Beijing

Venturing out into the beginnings of an untimely snow-fall last night in Beijing, I made my way over to XP to catch VAVABOND and Li Jianhong play together under the moniker of Mind Fibre.

VAVABOND and Li Jianhong at XP, Beijing

VAVABOND specialises in very subtle, fizzing staccato stabs of computer-generated electronic sounds, while Li plucks at a guitar and combines its tones with noises from various DIY electro-mechanical objects sitting near him, their combined sounds being variously modulated and distorted. The style of sound produced by these two is a little bit cosmic, from the warbles of VAVABOND’s programming, and the bends and swoops of Li’s notes and tones, the overall effect harking back to early synthesised tonal music without in itself being at all anachronistic. They produced a wonderfully intense effect, each sound feeling highly articulated and organised, and never over-bearing or violent.

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