So it’s been a whole week since we opened the gallery, so it’s perhaps time for a bit of a status report?

I think it’s fair to say it’s all going well. There have been a few minor hiccups which are to be expected when you’ve just opened a space, things which become apparent that weren’t obvious until you get into a ‘production-environment’ and actually open to the public.

For instance, it took a lot of phone calls to CNC to get the internet working (not their fault, I should add, and their English-speaking support was very good), there’s still a strange smell coming from the loo area (must get a fan installed), and perhaps painting the floor white was a bad idea as it’s impossible to keep clean. All ‘live-and-learn’ type stuff.

I still have to work out how to encourage more people to come through the door. I think there’s a basic problem that many are still unaware we are here, and this will be remedied over time, but many who get to the door seem scared to open it. There’s an ‘Open’ notice up on the glass door, but I have the feeling that psychologically that puts people off as it looks like a barrier.

Most visitors are non-English speakers. I think that there is about a 80/20 split of Chinese/foreigners. Of the English-speakers I’ve talked to all seem to like the show, most expressing the opinion that it’s an effective use of the space, with powerful results.

I myself actually feel privileged to be able to present this work and also to be around it everyday – corny I know, but it’s good to have a great ‘product’ to show people, something you can talk about with passion.

And finally, one thing I’m very disappointed about is that Guy and Myriam Ullens (of UCCA fame) have not visited – I went to their place (and met them, although I was with a group from my wife’s work, so I was just a hanger-on on that occasion), it’s only fair they should return the favour!