GeoSlant: Alessandro Rolandi

Alessandro Rolandi’s Social Sensibility R&D Program at BERNARD CONTROLS S.A. in Beijing

Guillaume Bernard and Alessandro Rolandi at Bernard Controls

When asked about her working environment, one worker said she would like to feel the sun on her skin for a while – a simple but poetic request, fulfilled by moving her workstation outside the factory for a short period. Another worker took the opportunity to make a fluid sculpture out of the big barrel of grease he was using, giving it the title: “A piece of shit.” These little gestures came about as part of Italian artist Alessandro Rolandi’s Social Sensibility R&D Program, instituted in the factory of Bernard Controls S.A. on the outskirts of Beijing.

Bernard Controls is a French family-owned company producing specialist servo engines for operating valves in water pipes found in nuclear power stations, but also used in places like the Beijing Opera House and the Olympic Swimming Pool (AKA the “Water Cube”) in Beijing.

For a factory to embrace such a distraction from the serious business of production is down to the initiative of the boss, Guillaume Bernard, an engineer with a particular interest in corporate social responsibility. But while Bernard Controls already had a steering committee working to improve management personnel relationships using activities such as exhibition visits and music concerts, M. Bernard was looking beyond this. “He’s one step ahead,” Rolandi says. “He’s an engineer, not a psychologist, sociologist, or a philosopher. We talked a lot about this, and he seems genuinely open to more socially aware activities, which I related to relational practice within the art world.”

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ArtSlant: Nature Calls

Not Only A Taoist Troublemaker! group show

za jia lab, Hong’En Daoist Temple, Doufuchi Hutong, Dongcheng District, Beijing

20 – 23 November, 2011

Not Only A Taoist Troublemaker! was a short-lived exhibition occupying a leaf-strewn room in a small arts space attached to a bar. A bar with a vegetable market behind; sharing a building that housed a screw factory during the Cultural Revolution. A screw factory built inside a Taoist temple, replacing the site’s original Buddhist temple. This overlapping of every kind of ideology provided an ideal backdrop for the six artists’ work in this show curated by forget art.

forget art is an organisation created by artist Ma Yongfeng, about whose “guerrilla” tactics I have written once before on ArtSlant. It has become well-known for the ironic nature of its exhibitions, interventions, and projects. These activities are knowingly aware of themselves and their contexts, and never take these or themselves too seriously.

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GeoSlant: The Journey West Travel Office

Stephanie Rothenberg & Dan S. Wang: The Journey West Travel Office

The Journey West Travel Office, 43 Zhonglouwan Hutong, Dongcheng District, Beijing, 100007 China

21 May – 10 July, 2011

As an agent of Spectacle, tourism fulfils manufactured desires, and you can’t get more manufactured—or at least programmed—than guided tours. Tailor-made to your requirements? Maybe so, but within your tightly regimented schedule (value-for-money!) you’ll see only what you want to see, and the tendency to cede control and the experience to the tour company itself becomes part of a demonstration of social and economic affluence. But maybe those restrictions can be put to use to provide a frame within which to re-view our understanding of the sites that we visit, through a critical engagement with the process and assumptions of tourism.

Setting up shop for the last two months in a tiny street front space in the historic Drum and Bell Tower area (once home to Beijing’s time-keeping apparatus), American artists Stephanie Rothenberg and Dan S. Wang have been running their Journey West Travel Office. The Office has been developed as a serious business, from their initial location scouting in this strategic area which sees plenty of foot traffic from potential clients, to the process of interviewing and engaging salespeople, whose subsequent travails as arbiters of the various package tours to passers-by become documentary material adding to the content of the piece as a performative intervention in the area.

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ArtSlant: Something in the Way?

Something on the Way: Alessandro Rolandi and Megumi Shimizu

The Journey West Travel Office, 43 Zhonglouwan Hutong, Beijing, China

19 June, 2011

Last weekend in the hutongs around the historic Drum and Bell Tower area in Beijing, Alessandro Rolandi from Italy and Megumi Shimizu from Japan staged the performance Something on the Way. This was included as part of Stephanie Rothenberg and Dan S. Wang’s Journey West Travel Office (a “performative installation that casts a critical eye on global tourism”). Something on the Way drew upon a mixture of traditions from Epic Theatre to Japanese Butoh performance to impose something of a delay into the everyday life around these narrow hutong alleyways.

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