Pékin Fine Arts, No.241 Cao Chang Di Village, Cui Ge Zhuang, Chaoyang District, Beijing
3 Sept – 16 Oct, 2011
Chasing Sites is a relatively sedate presentation for artist Weng Wei, focusing on her ink paintings on rectangles of paper and cutouts affixed to clearly delimited sections of the gallery walls. These new works and their installation in Pékin Fine Arts have calmed the spontaneity of her earlier appearances, and this aspect of spontaneity—instigated in part by the precarious conditions under which she was then working—she now treats with some ambivalence. This show has become a critique of those conditions, with the new works as close readings of past installations, rationalisations of the things which she looked for from those venues but which she feels were lacking.
Artists organizing events around the disparate interests of people outside the art world proper can lead to some fascinating convergences of concerns. (Of course, a deft hand is needed to satisfy the demands of such varied constituencies). Emi Uemura’s “Country Fair,” initiated last year in Beijing with Vitamin Creative Space, is a successful example. A regular event bringing together farmers, community activists, and the public in a friendly, festive space, it shows what can grow from the sharing of information, experience and perhaps most importantly, food.
I just received the new edition of LEAP 艺术界 magazine with my piece about alternative artists working in Beijing. The article didn’t come through too badly, though they had to cut 4 of my interviews because of space restrictions.