Rong Rong on Chinese photography

Based on his experience of the submissions for the annual Three Shadows Photography Award, Rong Rong makes the following observations in an interview with Dan Edwards for RealTime Arts:

One thing I noticed is that everyone wanted to express their private selves. Unlike older photographic trends that were focussed on society or big topics, younger artists are focussed on their inner world.

This is certainly a strong trend in art-making here in China, something which I’ve been aware of ever since I arrived here, but it’s interesting to hear this from someone who has such a perspective on the recent history of Chinese photography.

Rong Rong (2009). Interviewed by Edwards, Dan. the nurturing of chinese photography. RealTime, issue #92 (Aug-Sept). [Online]. Available from http://www.realtimearts.net/article/issue92/9557 [Accessed 6 June 2010]. Reproduced with permission.

yes, we’re all foreigners here, but that doesn’t mean I want to talk to you…

This Australian guy came up to me while I was waiting on the subway platform in the CBD this morning and our conversation went like this:

Him: “You’re at the front of the queue!”

Me: “? er, yeah”

Him: “That’s unprecedented!

Me: “?”

Him: “You must be an F1 driver!”

Me: “??? er, no. Are you an F1 driver?”

Him: “no!” –said as if I was a bit odd to even suggest such a thing

Him: “Actually, I was hoping you were a girl.”

With which he slapped me on the shoulder and walked away.

Bizarre!

Notes on Alternatives in China

Some are artists setting up programs for themselves or their peers, others are fully-fledged companies offering a wide range of art services. All see themselves as “alternatives,” but what do they mean by that and how do they sit in relation to the Beijing art-world?

These brief notes on some “alternatives” in Beijing (and beyond) were inspired by a visit to one of the groups mentioned, TCA, which led me to question just what it meant to be “alternative,” what is “alternative” a reaction against and how do these organisations go about positioning themselves?

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Agamben: undergone not experienced

As Agamben indicates in the 1989 preface to the English translation of Infancy and History, the key question that unites his disparate explorations is that of what it means for language to exist, what it means that “I speak.” In taking up this question throughout his work, and most explicitly in texts such as Infancy and History, Language and Death, and most recently, The Open, Agamben reinvigorates consideration of philosophical anthropology through a critical questioning of the metaphysical presuppositions that inform it, and in particular, the claim that the defining essence of man is that of having language. In taking up this question, Agamben proposes the necessity of an “experimentum linguae” in which what is experienced is language itself, and the limits of language become apparent not in the relation of language to a referent outside of it, but in the experience of language as pure self-reference.Infancy and History … attempts to grasp and articulate the implications of such an experience of language as such. Consisting of a series on interconnected essays on concepts such as history, temporality, play, and gesture, Infancy and History provides an importance entrance to Agamben’s later work on politics and ethics, particularly in the eponymous essay of the edition on the concept of infancy understood as an experiment of language as such. In this, Agamben argues that the contemporary age is marked by the destruction or loss of experience, in which the banality of everyday life cannot be experienced per se but only undergone, a condition which is in part brought about by the rise of modern science and the split between the subject of experience and of knowledge that it entails. Against this destruction of experience, which is also extended in modern philosophies of the subject such as Kant and Husserl, Agamben argues that the recuperation of experience entails a radical rethinking of experience as a question of language rather than of consciousness, since it is only in language that the subject has its site and origin. Infancy, then, conceptualizes an experience of being without language, not in a temporal or developmental sense of preceding the acquisition of language in childhood, but rather, as a condition of experience that precedes and continues to reside in any appropriation of language. (Mills; emphasis mine)

  • Mills, Catherine (2005) Agamben, Giorgio [The Internet Encyclopedia of Philosophy]. [Online]. Available from: http://www.iep.utm.edu/agamben/ [Accessed 27 March 2010].