prep: The Story of Art

So, having read The Story of Art, what now?

To begin with I’ve highlighted various passages that struck me as interesting, so I’ll be going back through these, transcribing the relevant ones and picking out subjects that deserve further notice. As I do this I hope to develop some more in-depth pieces of writing, pulling together and connecting the themes that I initially settled upon.

Being new to this level of analysis, it will probably start by being a bit random and haphazard, but as time goes on I hope the pieces will get more coherent and meaningful.

The Story of Art – first read over

1 week and 6 days later I’ve completed the first read-through of The Story of Art by Ernst Gombrich. Which is a lot faster than I expected, mainly because the wealth of photography makes it seem like a much longer book at first glance.

Reading the lie of the page

. . . the original principle of keeping the illustrations before the reader’s eye while studying the text . . .1

Gombrich prides himself on illustrating every work of Art within a page or two of it’s mention in the text. Conversely, a full page of text usually indicates extended discussions on the social or theoretical background to the works. As a student of Art History this was quite a useful feature to keep an eye out for.

1. Ernst Gombrich, The Story of Art (London: Phaidon, 1950; 16th edition, 1995; reprinted 2005), p. 12