March Updates

It’s been a while since I posted. Freelance work has been taking up all of my spare time, the last two weeks have been manic, thank goodness the particular job I was working on has now gone to press and I can, oh I don’t know, sleep a bit more.

So, what’s new?

Computer stuff

Well, I’ve started using a new RSS feed reader – endo. It’s written by Adriaan Tijsseling, the same person who makes ecto, the blogging client that I’m using right now to write this article, and 1001, a desktop client for flickr. I’ve used ecto for a while now and have been very happy with it so I immediately downloaded and tried endo.

Previously I was running Net News Wire and when you move from one piece of software to another that fulfills many of the same functions, it’s impossible not to compare the two. You find that many posts to endo’s forums are along the lines of “NNW did it like this but endo doesn’t, please fix this.” You have to accept that endo works differently and it’s a new set of keyboard shortcuts to learn (for instance), but, once you get over that, it does what it does pretty well.

Adriaan is really responsive to requests and comments and it’s interesting following his posts to the forums because it shows that he develops software from a very personal perspective. He needs an app to do something for him, and he has certain ideas about how he wants it to do that task, so that’s the way the app ends up.

Take notifications, for example. endo uses its own method for alerting the user that new articles have appeared. Now Growl provides a similar service but is available to any application that chooses to use it and has many more options for how those alerts appear. Some people have asked that endo provide the option to use Growl if it’s available, but Adriaan’s argument is that it doesn’t do what he needs it to do, so he’s decided not to use it.

That said, Adriaan is not immovable in his opinions. The groups bar provoked a fair amount of comment about it’s usability, and in the latest release (1.0.8) a new preference has been added to address these comments.

And that’s one of the reasons why I like Adriaan’s software – you get to see the development process of software up close. Over the last two weeks since I installed the software, I think there have been 4 point releases – fixing bugs, adjusting options and adding new features, many of these as a result of feedback on the forums. At this stage of a product’s life, that’s the sort of support that I like – it fosters a connection with the developer and gives you a sense of investment in the software.

Which is why I’ve paid my registration fee for endo and will be contributing to the forums wherever I can.

Art stuff

I recently found out about The Ruskin Gallery, which is tucked away in the Anglia Ruskin University here in Cambridge. The gallery is a large, double-height space which seems to be a converted connecting space between two parts of the University.

When I went they were showing the abstract paintings of Bruce Russell. The shows change roughly every two weeks and will be showing a lot of material from the courses and staff at the University.

It’s a funny place, I found it difficult to find as there was no sign-posting when you go to the site, and the room itself is good for displaying wall-mounted pieces but is in continual use as a corridor making it difficult to concentrate on the work. In a way this is good for the people at the University as they get to see the work as part of their daily movements through the site, but bad if you want to focus on the pieces.

On the whole it’s a good place to pop into when you have quarter of an hour free and you’re in that part of town.

Music stuff

Nathan Fake: Drowning in a sea of remixes

Smyglyssna: We can fix it remixes

Malcom Kipe: Lit

Wisp: Nrthndr

Find them all on Bleep.

Goldfrapp. Cambridge Corn Exchange, Cambridge. 4 February 2006

As a birthday present for my best friend I got tickets for Goldfrapp’s concert at the Cambridge Corn Exchange, whom we’re both big fans of.

I have to express an interest straightaway – me and my friend were both in the same year at college with Alison, and while I was never really a close friend of hers I have a link to her nonetheless which undoubtedly biases my opinions. I suppose I could easily be quite jealous of her success, but I’m actually really pleased for her – and I like her music, so that’s a bonus.

I get the impression that Cambridge is bit of a backwater on the concert circuit, I think there are a number of other places nearby that could provide alternative and potentially better venues, so I think it’s quite rare for a relatively big name such as Alison to come here. But apparently she’s been here on a previous tour, so perhaps there’s some kind of sentimental link. I’m sure there must also be good economic reasons.

So perhaps unsurprisingly it was a very popular show and I was only able to get seats at the very back of the balcony. And I was only able to get those from a third-party agency as the box-office had sold out, but I figured it was better to go with mediocre seats than to miss the show.

For me the standout aspect of the concert was the quality of the lighting system, producing intense stabs of bright, pure colours and intense white highlights. This was an adaptable system that produced many varied and extremely effective results. One song had strong white top-down spots illuminating the stage, bleaching out the colours, Alison’s top being the only colour – an effect you would expect to see on TV as the result of digital manipulation – this felt very unreal to be seeing in real life.

Alison’s costume was a black body and trousers offset by a loose pink/red pleated top that really stood out as the highlight of the stage. Fans (of the electric kind) placed in front of her blew her top and hair around, in a kind of disco/romantic way.

An oddity in the lighting department were two people with spotlights hanging from the ceiling rig who tested their lights before the show but never turned them on throughout the whole show. One of them was dancing around in his seat for most of the gig. Strangely redundant.

The sound was very bassy, from which the support act – The Shortwave Set – suffered most, their vocals being almost indistinguishable. This was possibly due to our seats being very near the back of the hall (UU23 and 24, only five more rows to the back of the building) – possibly if we had been able to get down into the crowd the sound would have been better. During one quiet song I also realised that the audience was making a hell of a lot of noise, there was an incredible amount of talking going on, not certain if it was from the balcony or the floor. I was constantly distracted by people coming and going and talking. There seemed to be little respect for the show going on.

It was a shame that Goldfrapp didn’t play my favourite song, ‘Pilots’, although there was a good mix of tracks from all the albums otherwise.

The only real musical downside of the evening were The Shortwave Set, who replaced Hot Chip as the support act. They were dull but capable musicians. I found myself feeling very drowsy during their set which may have been down to the cocktails I’d had beforehand, but I think it’s revealing (probably more about my taste in music, admittedly) that they were unable to keep my attention whereas for Goldfrapp I was completely enthralled.

I really love Goldfrapp’s music. My favorite material is from the first two albums, but even the tracks I was less than keen on were enjoyable to hear in this context. This was a great concert and I’d definitely recommend them to anyone.