Crafting Beauty in Modern Japan at The British Museum, London

The Great Court at the British Museum After savouring the delights of the Terracotta Warriors in the Reading Room at The British Museum I saw that there was a smaller show of craft-work from Japan upstairs.

The show, “Crafting Beauty in Modern Japan,” concentrates on the productions of Japan’s craft artists, many of whom have been designated ‘Living National Treasures’ in recognition of their skills. I love the idea of this accolade, the place that Japanese society apparently gives to the activities the result of which were on display in this exhibition. The small brochure talks about ‘tangible’ and ‘intangible cultural properties’: ‘tangible’ being “historic architecture, sculpture, painting and calligraphy, and craft objects as well as significant sites, scenic places, and particular plants and animals.” ‘Intangible’ includes “performing skills in traditional theatre and music, and craft techniques.” Those quotes from the brochure are not really adequate to explain the differing concepts involved, but there seems to be a distinction between the object and the activity here. I believe UNESCO has a similar designation now, which perhaps stemmed from the Japanese system.

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The show has some gorgeous pieces. What comes across very strongly in the presentation is the attention to detail and evident, intense craft involved in the works. This gives the show an almost reverential feeling in its presentation of the various pieces. The value accorded to the pieces is not unique to this show, of course that is the function and result of placing anything in a museum, it will inevitably gain that ‘aura’ from being isolated for our attention. But this particular show taps into an existing tradition and appreciation of craft which massively adds to this aura.

At the same time these appreciations are not the same. Within a museum, the object loses it’s everyday use value, whereas I get the feeling that while the Japanese craftspeople value perfection and quality, in some ways a piece must be used to be completed. I’m generalising here, and working from limited knowledge, but this is the feeling I get from the show.

So, another wonderful show at The British Museum. As my fiancée keeps telling me, we are very privileged in London to have so many cultural institution on our doorstep.

Churches from above

I posted recently about the discovery of a triangular church, which seems to me to be a fairly rare phenomena, and one which had a particular, if restricted, heyday in the 1960s. The form interests me not so much in itself, than in its relation to the suburban areas in which they appeared. Looking at the area around the Ham church, this area was developed pretty much at the same time as the churches were built, so I expect the church was designed into the masterplan for the area, as a focal point both spiritually and physically (the particular road arrangement around the Ham church which led me to notice it in the first place places it at the end of one of the main road entrances to the estate).

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Cambridge Folk Festival website design

Screenshot of the Cambridge Folk Festival website home page

I’m quite proud of the site I’ve just coded for the Cambridge Folk Festival (client: Cambridge City Council). This work was done as part of my day job at Cambridge University Press.

The original branding is done by Adrenaline Creative. Based on this, I created the website design for last year’s Festival but kept it quite basic as I only had a week from brief to hand-over. This year I had a slightly longer period to update the site to follow the new poster design and incorporate some other changes requested by the client.

The most obvious change was to convert the navigation from a static vertical list to a horizontal drop-down menu system. This was based on the excellent Suckerfish Dropdowns menu by Patrick Griffiths and Dan Webb at A List Apart. Behind the scenes the code had a complete overhaul to ensure it validated as XHTML Strict (validates as of 25/3/06) (all my sites are coded to this standard nowadays). It was also an opportunity to apply everything I’ve learnt about CSS and XHTML in the year since I last coded the site.

One of the requests from the client was to make the site easier to maintain, so I’ve placed greater emphasis on re-useable code in this version. Each page is made of five basic areas, four of which are the same on every page, so are pulled out of the code as separate files (Server Side Includes). This means that every page on the site can be updated just by editing a single file. The header, navigation bar, sponsor’s list and footer are all saved as these Includes.

One concern I had was that the navigation would be difficult for some people to use, so in the body of the Website Map page I used the same Include file used for the navigation, but added some new CSS rules to style it in a more straightforward way. I think this demonstrates the power of combining Includes and CSS.