ArtSlant: Will the Pace Beijing Curator Please Stand Up?

Beijing Voices: Together or Isolated

Pace Beijing, 798 Art District, Beijing, China

30 December, 2010 – 28 February, 2011

Although at first glance an example of the stopgap shows thrown up during Beijing’s slow season of Christmas through Chinese New Year, Pace Beijing have laid on a group show with grander aspirations. Beijing Voices: Together or Isolated addresses recent questions about the development of gallery shows in Beijing and the role of curators in general, but cuts the rug from under its feet with its confused presentation.

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Isaac Mao / Robin Peckham

I’m in the process of editing a short piece based on last November’s -empyre- online forum on Media Arts in China, to be published in Contemporary Art & Investment Magazine in the near future. In the process I was reminded of an interesting comment made by Robin Peckham, one of the participants, referring back to an interview he had done with Isaac Mao about the concept of Sharism (the full interview can be found here). The quote is interesting to me because of current attitudes to privacy in the Chinese context, current events, and how this affects everyday life.

RP: […] how does privacy fit in with the context of Sharism?

IM: I think privacy is becoming more important. Sharism gives people a better sense of the social spectrum. Previously, we only had two polar modes: private and public, and of course we don’t like our private things to become public. However, we are now living in a spectrum that we never sensed before. Some things are private at some times, but at others they are not, depending on the context or who we are with. This is a spectrum that we can manage and come to consensus on what kind of information we can share or don’t like to share. Sometimes I share different things to different people. It’s a kind of strategy. We intuitively manage privacy now. Of course sometimes I don’t like to share my private phone number and private address in some places, like perhaps in China. But in other countries it may be different, depending on cultural difference or safety.

But we are seeing changes. In China, many dissidents and activists are open up their personal information. Why? Because previously they just wanted to close it down to protect themselves without being tracked by the government. Someone might want people to know his position so he can do things secretly. But now many are opening up this information because they see the social power. Once they’ve opened up their position, home phone, and travel plans, more people in the cloud know where they are at the same time as the authorities. He is protected even as he is tracked. This has happened over the past two years.

Ou Ning: digital technology and political society

Dan Edwards: I noticed in a lot of the footage in the film [Ou Ning’s Meishi St (2006)], Zhang [Jinli] is filming the police, but the police have cameras too.

Ou Ning: Yeah, it’s very interesting. You can say that digital technology has had a great impact on Chinese political society. You can see at the end of the film during the demolition process, there are so many cameras on the scene. That means that there are some cameras from the police station, some from our team, some from NGO organisations. The digital technology has brought some opportunity to the people to document history by themselves. This is a great change in China. Before that, history only had one version, by the Chinese Communist Party, but now with digital technology history has different versions. History has a Zhang Jinli version, a Security Bureau version… there’s a lot of different versions, not just one version. That is a great progress in the political situation in China.

Taken from CinemaTalk: A Conversation with Ou Ning by Dan Edwards

thinking about Gentrification

New Malden

Over at the HomeShop blog, I’ve been invited to write about the subject of gentrification. The first part of three has just been published, and there I’m thinking about the nature of gentrification and its causes and effects on local communities. I’m focusing on two examples: HomeShop’s own situation, and my home town of New Malden (in the South-West of London) which has seen the development of Europe’s largest South Korean community.

UPDATE: All three part have now been published on the HomeShop blog:

Special thanks to Michael Eddy for the invitation to take part in the discussion!