Category: Art

With a degree in Fine Art the world’s my oyster!!

ArtSlant: Dali’s New Hues

Zhang Dali New Works: World’s Shadows

Pékin Fine Arts, No.241 Cao Chang Di Village, Cui Ge Zhuang, Chaoyang District, Beijing, China

22 Oct, 2011 – 8 Jan, 2012

Blue is the dominant colour of Zhang Dali’s new series of photograms and cyanotypes, framing the shadowed forms cast upon them. These large-scale photographic impressions on cloth present figures, bicycles and pagodas in their unexposed, white areas, in negative; the surroundings are left in the rich cyan blue, verging on indigo. These “material objects” (as Zhang refers to them) leave their marks as absence and adjust our received impressions of them, reversing the shadow’s fleeting aspect to permanently fix and memorialise them.

The traces left behind by image-making processes and their subsequent re-presentation or removal has been a recurring subject matter for Zhang. From his early graffiti works that traced the profile of his head onto buildings (particularly those in the process of demolition); to the Second History series of counterposed photographs documenting the changes wrought on images by history through which ideology is reflected. In each case the trace of an object and the meaning of that trace is susceptible to erasure and interpretation, becoming a new reality that further impinges on the world we ourselves inhabit.

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艺术界LEAP Magazine: Weng Wei—Chasing Sites at Pékin Fine Arts

Pékin Fine Arts, No.241 Cao Chang Di Village, Cui Ge Zhuang, Chaoyang District, Beijing

3 Sept – 16 Oct, 2011

Chasing Sites is a relatively sedate presentation for artist Weng Wei, focusing on her ink paintings on rectangles of paper and cutouts affixed to clearly delimited sections of the gallery walls. These new works and their installation in Pékin Fine Arts have calmed the spontaneity of her earlier appearances, and this aspect of spontaneity—instigated in part by the precarious conditions under which she was then working—she now treats with some ambivalence. This show has become a critique of those conditions, with the new works as close readings of past installations, rationalisations of the things which she looked for from those venues but which she feels were lacking.

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ArtSlant: The Magic of Art and Science

Pattern—Vortex—Encounter: Museum of the Unknown (Chen Xi, Fang Xian, He Yida, Ji Kun, Jin Wang, Liao Fei, Liu Yiqing, Orange (Liu Yang), Li Wen, Ling (Meng Ling), Lore Vanelsande, Ni Youyu, Qiu Anxiong, Wu Ding, Wang Guangle, Wu Yi, Xu Sheng, Zheng Huan)

Space Station, 4 Jiuxianqiao Rd, 798 Art Zone, Chaoyang District, 100015 Beijing

3 September – 3 October, 2011

A continuing concern amongst artists and art professionals in China is the nature and role of the museum in the art ecosystem. Certainly I have concerns myself – the museum has become something of a catch-all term to cover a disparate set of spaces and activities that sometimes have little to do with a traditional understanding of the term. In my experience, the term “museum” can be a bit of a misleading.

While this is a known failing with the art-institutional landscape in China which deserves deeper attention than I can give in this review, artists, curators and institutions nevertheless are addressing the issue. In recent months, I have visited (and reviewed in some cases) shows that reflect features of museum practice in part to critique it and its development, grappling with the ways in which museums and other art institutions are put into practice. These have included Little Movements (at OCAT, Shenzhen) and The Museum That is Not (at Times Museum, Guangzhou).

Nikita Cai, curator of the latter, included the group Museum of the Unknown, their rambling presentation just one of a series of shows currently on display or planned by this group of artists. Vortex (at Central Academy of Fine Arts Museum as part of CAFAM Biennial: Super-Organism), Encounter (at Times Museum) and Pattern (at Space Station), are proposed to be followed by future shows entitled Disappear, Symmetry and Psychoanalysis of Geography. This set of six shows purport to present a broad-ranging engagement between art and scientific thinking. The group suggest they create investigatory installations into the museum and gallery spaces they occupy, leading to new approaches to practices contained and engendered therein. In reality I feel way they pose their questions leads to some problematic areas of knowledge production.

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ArtSlant: Stories Sans Smoke

Crop Circle & Doughnuts: Chen Xinpeng solo show

C5Art, Building F, 5 Xi Wu Street, Sanlitun, Chaoyang District, 100027 Beijing, China

10 September – 9 October, 2011

Artist Chen Xinpeng describes his work as the creation of “small innovations.” The works in Chen’s solo show at C5 Gallery include his early photo and video works through to his latest experiments with blow up structures and game play, giving some clues as to what these innovations might be. But all the while the show displays the artist’s self-deprecating humour and his reticence towards overstating the meaning and significance of these “innovations.”

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