Unbelievable

This is an old post (from April 2008) that for some unknown reason I never got round to publishing. Happy memories!

How was digging up all the roads in 798 at the same time, ever possibly considered a good idea?

It seems that nowhere is safe from the ‘dream’ that is the Olympics. 798 is currently undergoing massive roadworks which seem to be for the installation of a new streetlighting system. This is A Very Good Thing, as after dark 798 was pitch black once you got 5 feet away from a main road. The authorities have decided use this as an opportunity to install new conduits for cables along every street.

I’m beginning to think it’s just as well our new gallery space is currently undergoing renovation and thus closed, because I would be worried about our visitors’ safety (and my own safety) if they were to attempt to locate the gallery. For your viewing pleasure, I hereby present a ‘before’ and ‘after’ shot of the road we are on:

Before

Before

After

After

Michael Yuen announcement notes

Quoted from my gallery’s announcement of a new artist:

CPU:798 is delighted to welcome Michael Yuen to our roster1 of artists. Michael’s work encompasses a plurality2 of media3, and he is already well-known4 in his native Australia for a body of exceptional works making use of light5, sound6 and performance7. With Michael joining CPU:798, we are building on our mission8 to present the most interesting new media9 artists from both inside and outside of China today10.

Over the past few years Michael has divided his time equally between Australia11 and China12, and in both environments13 his works have investigated the nature of public spaces14 and how small events and interventions15 can have large-scale effects16 on those spaces and the people in them.

  1. What would be the appropriate collective noun for this?
  2. Plurality: perhaps plenitude. Or plethora.
  3. ‘New’ media as opposed to ‘traditional’ media.
  4. see his biography
  5. e.g. Flash. Also includes sound as part of the piece.
  6. e.g. Pulse. Also includes light as part of the piece.
  7. e.g. Follow. Developed because of the specific difficulties creating a sound or light piece in an urban environment where the ambient noises and visual clutter would mask the elements of the work.
  8. see statement on website
  9. see note 3
  10. expanding the gallery’s focus out from photography per se
  11. Adelaide
  12. Beijing
  13. How different are they, and how does this manifest itself to the artist and through his work?
  14. Particularly differences in the nature of public spaces. I have never lived in Australia (I visited Sydney once for 3 days), but from my experience from living in China, comparing this to the UK and Europe, the Chinese use their spaces in very particular ways. The spaces may be the same, or in many ways comparable, or completely different, but people here in China occupy them in a very characteristic way. It is a confluence of character (habit, tradition), architecture (in the sense of a human planned external controlling affect on the occupants), environment (a ‘natural’ external affect), and immediate practicality (an internal affect) which all go to suggest what happens there.
  15. sound and light work in this way – materially discrete
  16. an effect is that we experience them as an artwork (something removed from everyday life;or, something like everyday life which makes everyday life suddenly seem strange?). They assert themselves, make themselves known. Distract or attract attention. Trip up, disturb, unsettle.