Critical Music 3: Interview with Ake

Critical Music series: This series of posts focuses on individuals, groups, or organisations that have played notable roles in the history of critical music practices in China. These practices appears in many different guises, often related to concepts such as “experimental music” or “sound art”, although neither term is entirely satisfactory in describing the practices which often exist in many hybrid forms. My adoption of the term “critical music” (following the writings of G Douglas Barrett) attempts to avoid the limitations of these terms, while highlighting the active nature of the sound component of the practices. These posts will primarily take the form of interviews, each one aiming to place the subject within the general history of critical music practices in China, and contextualise their current practice within their overall development.

Welcome to the third interview in this series. Today I am very happy to be able to publish an interview with Ake 阿科, the Beijing-based experimental musician. Ake is a young (born in 1990), self-taught artist, who has only been performing for a couple of years but has become a regular participant in experimental music events in the city. While initially working with violin drones, she has recently started investigating manipulated field recording. I interviewed Ake because I think she represents a new generation of artists in China whose practice is developing within a relatively stable environment for autonomous experimental work, an environment that does not depend on the “regular” music scene to provide it with outlets and reasons to exist.

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field recording: framework radio intro

This field recording captures the sound of the fireworks that accompany Spring Festival here in China. The recording was taken one morning as I walked out of the front door of my mother-in-law’s apartment block in the city of Chifeng in Inner Mongolia, a fairly typical third-tier city in China. The recording was used as the introduction to an edition of framework radio, hence the voice over.