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	<title>不知道 i don&#039;t know &#187; adelaide</title>
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	<description>intangible cultural activity in china</description>
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		<title>Michael Yuen announcement notes</title>
		<link>http://blog.escdotdot.com/2008/12/01/michael-yuen-announcement-notes/</link>
		<comments>http://blog.escdotdot.com/2008/12/01/michael-yuen-announcement-notes/#comments</comments>
		<pubDate>Sun, 30 Nov 2008 16:01:43 +0000</pubDate>
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				<category><![CDATA[Architecture]]></category>
		<category><![CDATA[Art]]></category>
		<category><![CDATA[CPU:798]]></category>
		<category><![CDATA[Performance]]></category>
		<category><![CDATA[Writing]]></category>
		<category><![CDATA[adelaide]]></category>
		<category><![CDATA[australia]]></category>
		<category><![CDATA[beijing]]></category>
		<category><![CDATA[china]]></category>
		<category><![CDATA[cpu:798]]></category>
		<category><![CDATA[light]]></category>
		<category><![CDATA[Michael Yuen]]></category>
		<category><![CDATA[sound]]></category>

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		<description><![CDATA[Quoted from my gallery&#8217;s announcement of a new artist: CPU:798 is delighted to welcome Michael Yuen to our roster1 of artists. Michael’s work encompasses a plurality2 of media3, and he is already well-known4 in his native Australia for a body &#8230; <a href="http://blog.escdotdot.com/2008/12/01/michael-yuen-announcement-notes/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p>Quoted from <a href="http://www.cpu798.com/documents/newsletters/08/11/27/">my gallery&#8217;s announcement of a new artist:</a></p>
<blockquote><p>CPU:798 is delighted to welcome Michael Yuen to our roster<span class="note">1</span> of artists. Michael’s work encompasses a plurality<span class="note">2</span> of media<span class="note">3</span>, and he is already well-known<span class="note">4</span> in his native Australia for a body of exceptional works making use of light<span class="note">5</span>, sound<span class="note">6</span> and performance<span class="note">7</span>. With Michael joining CPU:798, we are building on our mission<span class="note">8</span> to present the most interesting new media<span class="note">9</span> artists from both inside and outside of China today<span class="note">10</span>.</p>
<p>Over the past few years Michael has divided his time equally between Australia<span class="note">11</span> and China<span class="note">12</span>, and in both environments<span class="note">13</span> his works have investigated the nature of public spaces<span class="note">14</span> and how small events and interventions<span class="note">15</span> can have large-scale effects<span class="note">16</span> on those spaces and the people in them.</p></blockquote>
<ol class="note">
<li>What would be the appropriate collective noun for this?</li>
<li>Plurality: perhaps plenitude. Or plethora.</li>
<li>&#8216;New&#8217; media as opposed to &#8216;traditional&#8217; media.</li>
<li>see his <a href="http://www.cpu798.com/artists/michael_yuen/">biography</a></li>
<li>e.g. <a href="http://www.cpu798.com/artists/michael_yuen/works/flash/">Flash</a>. Also includes sound as part of the piece.</li>
<li>e.g. <a href="http://www.cpu798.com/artists/michael_yuen/works/pulse/">Pulse</a>. Also includes light as part of the piece.</li>
<li>e.g. <a href="http://www.cpu798.com/artists/michael_yuen/works/follow/">Follow</a>. Developed because of the specific difficulties creating a sound or light piece in an urban environment where the ambient noises and visual clutter would mask the elements of the work.</li>
<li>see <a href="http://www.cpu798.com/statement/">statement on website</a></li>
<li>see note 3</li>
<li>expanding the gallery&#8217;s focus out from photography <em>per se</em></li>
<li>Adelaide</li>
<li>Beijing</li>
<li>How different are they, and how does this manifest itself to the artist and through his work?</li>
<li>Particularly differences in the nature of public spaces. I have never lived in Australia (I visited Sydney once for 3 days), but from my experience from living in China, comparing this to the UK and Europe, the Chinese use their spaces in very particular ways. The spaces may be the same, or in many ways comparable, or completely different, but people here in China occupy them in a very characteristic way. It is a confluence of character (habit, tradition), architecture (in the sense of a human planned external controlling affect on the occupants), environment (a &#8216;natural&#8217; external affect), and immediate practicality (an internal affect) which all go to suggest what happens there.</li>
<li>sound and light work in this way – materially discrete</li>
<li>an effect is that we experience them as an artwork (something removed from everyday life;or, something like everyday life which makes everyday life suddenly seem strange?). They assert themselves, make themselves known. Distract or attract attention. Trip up, disturb, unsettle.</li>
</ol>
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