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	<title>Comments for 不知道 i don&#039;t know</title>
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	<description>intangible cultural activity in china</description>
	<lastBuildDate>Wed, 25 Jan 2012 00:29:48 +0000</lastBuildDate>
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		<title>Comment on Laoban Mixing Event report by Post Laoban Soundsystem 1.0 Event Notes &#124; Fabricatorz</title>
		<link>http://blog.escdotdot.com/2008/12/14/laoban-mixing-event-report/comment-page-1/#comment-3105</link>
		<dc:creator>Post Laoban Soundsystem 1.0 Event Notes &#124; Fabricatorz</dc:creator>
		<pubDate>Wed, 25 Jan 2012 00:29:48 +0000</pubDate>
		<guid isPermaLink="false">http://blog.escdotdot.com/?p=484#comment-3105</guid>
		<description>[...] this type of work in Beijing really until Friday, I&#8217;m still happy with where we arrived. Check out a bit more from Ed on his comments: Looking ahead, I hope there will more variety in the material in future events, [...]</description>
		<content:encoded><![CDATA[<p>[...] this type of work in Beijing really until Friday, I&#8217;m still happy with where we arrived. Check out a bit more from Ed on his comments: Looking ahead, I hope there will more variety in the material in future events, [...]</p>
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		<title>Comment on djs and vjs: so what (are you doing)? by Laoban Containment or Expansion Onto 2009 &#124; Fabricatorz</title>
		<link>http://blog.escdotdot.com/2009/01/18/djs-and-vjs-so-what-are-you-doing/comment-page-1/#comment-3104</link>
		<dc:creator>Laoban Containment or Expansion Onto 2009 &#124; Fabricatorz</dc:creator>
		<pubDate>Wed, 25 Jan 2012 00:27:36 +0000</pubDate>
		<guid isPermaLink="false">http://blog.escdotdot.com/?p=515#comment-3104</guid>
		<description>[...] from CPU:798 made a follow-up laoban post to his previous post I noted thinking about the connection between Ullens Dior show&#8217;s [...]</description>
		<content:encoded><![CDATA[<p>[...] from CPU:798 made a follow-up laoban post to his previous post I noted thinking about the connection between Ullens Dior show&#8217;s [...]</p>
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		<title>Comment on about escdotdot by Anthony Piferrer</title>
		<link>http://blog.escdotdot.com/about-escdotdot/comment-page-1/#comment-3092</link>
		<dc:creator>Anthony Piferrer</dc:creator>
		<pubDate>Sun, 14 Aug 2011 18:04:36 +0000</pubDate>
		<guid isPermaLink="false">http://www.escdotdot.com/blog/whats-a-slug/#comment-3092</guid>
		<description>Fabulous Idea Mr. Chen Xinpeng!! Do you have these tents available for sale?  </description>
		<content:encoded><![CDATA[<p>Fabulous Idea Mr. Chen Xinpeng!! Do you have these tents available for sale?</p>
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		<title>Comment on LEAP: Alternative Spaces, Alternative Strategies by 家作坊 HomeShop &#187; Blog Archive &#187; Name Game (a few thoughts on dissemination)</title>
		<link>http://blog.escdotdot.com/2010/12/19/leap-alternative-spaces-alternative-strategies/comment-page-1/#comment-2975</link>
		<dc:creator>家作坊 HomeShop &#187; Blog Archive &#187; Name Game (a few thoughts on dissemination)</dc:creator>
		<pubDate>Sat, 05 Feb 2011 22:30:08 +0000</pubDate>
		<guid isPermaLink="false">http://blog.escdotdot.com/?p=1287#comment-2975</guid>
		<description>[...] may be quite tricky to look at such researches (at least contemporarily) as anything more than an index, or a means of [...]</description>
		<content:encoded><![CDATA[<p>[...] may be quite tricky to look at such researches (at least contemporarily) as anything more than an index, or a means of [...]</p>
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		<title>Comment on Player Pianos: Pianolas &amp; Reproducing Pianos by Player Piano Prodigy: Analysis of Conlon Nancarrow and his Contributions &#124; The Glaring Facts</title>
		<link>http://blog.escdotdot.com/2010/03/11/player-pianos-pianolas-reproducing-pianos/comment-page-1/#comment-2813</link>
		<dc:creator>Player Piano Prodigy: Analysis of Conlon Nancarrow and his Contributions &#124; The Glaring Facts</dc:creator>
		<pubDate>Fri, 12 Nov 2010 17:58:09 +0000</pubDate>
		<guid isPermaLink="false">http://blog.escdotdot.com/?p=1005#comment-2813</guid>
		<description>[...] Player Pianos: Pianolas &amp; Reproducing Pianos &#124; ä¸çŸ¥é“ i don&#8217;t k.. [...]</description>
		<content:encoded><![CDATA[<p>[...] Player Pianos: Pianolas &amp; Reproducing Pianos | ä¸çŸ¥é“ i don&#8217;t k.. [...]</p>
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		<title>Comment on food work by Mike</title>
		<link>http://blog.escdotdot.com/2010/10/29/food-work/comment-page-1/#comment-2795</link>
		<dc:creator>Mike</dc:creator>
		<pubDate>Fri, 29 Oct 2010 08:52:39 +0000</pubDate>
		<guid isPermaLink="false">http://blog.escdotdot.com/?p=1240#comment-2795</guid>
		<description>Cup cakes are big at the moment in London too.  I&#039;ve seen two weddings recently where the traditional wedding cake has been either swapped for a giant cup cake or a tall stack of cup cakes. </description>
		<content:encoded><![CDATA[<p>Cup cakes are big at the moment in London too.  I&#039;ve seen two weddings recently where the traditional wedding cake has been either swapped for a giant cup cake or a tall stack of cup cakes.</p>
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		<title>Comment on new book on alternative practices from apexart by escdotdot</title>
		<link>http://blog.escdotdot.com/2010/09/08/new-book-on-alternative-practices-from-apexart/comment-page-1/#comment-2733</link>
		<dc:creator>escdotdot</dc:creator>
		<pubDate>Tue, 19 Oct 2010 08:39:47 +0000</pubDate>
		<guid isPermaLink="false">http://blog.escdotdot.com/?p=1172#comment-2733</guid>
		<description>Sure, I just need to retrieve it from Elaine first. I&#039;ll give it to you on Friday. </description>
		<content:encoded><![CDATA[<p>Sure, I just need to retrieve it from Elaine first. I&#039;ll give it to you on Friday.</p>
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		<title>Comment on new book on alternative practices from apexart by Fiona</title>
		<link>http://blog.escdotdot.com/2010/09/08/new-book-on-alternative-practices-from-apexart/comment-page-1/#comment-2732</link>
		<dc:creator>Fiona</dc:creator>
		<pubDate>Tue, 19 Oct 2010 05:55:50 +0000</pubDate>
		<guid isPermaLink="false">http://blog.escdotdot.com/?p=1172#comment-2732</guid>
		<description>May I borrow it? Looks very interesting! </description>
		<content:encoded><![CDATA[<p>May I borrow it? Looks very interesting!</p>
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		<title>Comment on Small Innovations: Chen Xinpeng interview by ART . RedBox Studio .cn &#8211; Cou Huo</title>
		<link>http://blog.escdotdot.com/2010/10/08/small-innovations-chen-xinpeng-interview/comment-page-1/#comment-2717</link>
		<dc:creator>ART . RedBox Studio .cn &#8211; Cou Huo</dc:creator>
		<pubDate>Mon, 18 Oct 2010 06:40:31 +0000</pubDate>
		<guid isPermaLink="false">http://blog.escdotdot.com/?p=1194#comment-2717</guid>
		<description>[...] Interview with Chen Xinpeng (8OCT2010): Click Here http://blog.escdotdot.com/2010/10/08/small-innovations-chen-xinpeng-interview/ [...]</description>
		<content:encoded><![CDATA[<p>[...] Interview with Chen Xinpeng (8OCT2010): Click Here <a href="http://blog.escdotdot.com/2010/10/08/small-innovations-chen-xinpeng-interview/" rel="nofollow">http://blog.escdotdot.com/2010/10/08/small-innovations-chen-xinpeng-interview/</a> [...]</p>
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		<title>Comment on Gesture and Sehgal by e w-a ho</title>
		<link>http://blog.escdotdot.com/2007/05/07/gesture-and-sehgal/comment-page-1/#comment-2663</link>
		<dc:creator>e w-a ho</dc:creator>
		<pubDate>Sun, 03 Oct 2010 04:56:58 +0000</pubDate>
		<guid isPermaLink="false">http://blog.escdotdot.com/2007/05/07/gesture-and-sehgal/#comment-2663</guid>
		<description>thank you for sharing this... will have to borrow the agamben from you indeed. what you highlight here is beautiful and powerful, and perhaps the balanced &#039;other side&#039; to the form of gestural flailing i refer to, which finds itself caught in a form of wild production as survival&#8212;weak, unenduring, unsupported.  
 
While i wouldn&#039;t necessarily consider writing, especially that of the critic&#039;s, the same form of gesturality as that which Bishop attributes to Seghal&#039;s work, i think we can imagine critique and post-critique as part of the necessary system of production and deproduction that Seghal speaks about (at the same time as protecting the &#039;purity&#039; of his work from it, by keeping such controlled conditions for its viewing and participation). 
 
how is the research going? have some loose ideas and thoughts about it, perhaps would be nice to bounce them off you at some point, let&#039;s meet soon. </description>
		<content:encoded><![CDATA[<p>thank you for sharing this&#8230; will have to borrow the agamben from you indeed. what you highlight here is beautiful and powerful, and perhaps the balanced &#039;other side&#039; to the form of gestural flailing i refer to, which finds itself caught in a form of wild production as survival&mdash;weak, unenduring, unsupported.  </p>
<p>While i wouldn&#039;t necessarily consider writing, especially that of the critic&#039;s, the same form of gesturality as that which Bishop attributes to Seghal&#039;s work, i think we can imagine critique and post-critique as part of the necessary system of production and deproduction that Seghal speaks about (at the same time as protecting the &#039;purity&#039; of his work from it, by keeping such controlled conditions for its viewing and participation). </p>
<p>how is the research going? have some loose ideas and thoughts about it, perhaps would be nice to bounce them off you at some point, let&#039;s meet soon.</p>
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